Paint Union is delighted to welcome Jemima
Brown and Juliette Losq in discussion at the Griffin Gallery on February 18th
2014 http://griffingallery.co.uk/event/artists-talk-paintingunion/
The Griffin Gallery will be showing 'Water +
Colour', curated by Becca Pelly-Fry, in the gallery during this PaintUnion
discussion night, so we thought it would be an excellent opportunity to discuss
ephemerality and how artists use water based media in their practices now.
Jemima uses sculpture, painting, drawing and time based media to create humanoid avatars occupying a zone between the animate and the inanimate. The work explores formal sculptural decision making, suggested narrative and social critique. She was the recipient of the 2010/11 Mark Tanner Sculpture Award, showing new work at Standpoint Gallery in London in September 2011. A Fulbright Scholar at the University of California Los Angeles in 1998 and a Cocheme Fellow at the University of the Arts, Byam Shaw School of Art in London in 2006, Jemima has recently been working on ‘Untitled Picture Profiles’. A selection from this series of watercolour works cataloguing the Facebook profiles of all her contacts will be shown at Paper in Manchester in April-June 2014. http://www.jemimabrown.com
Juliette's watercolour installations are immersive environments; the sheets of torn paper run down the wall, peel away and layer over each other, ultimately spilling out onto the floor and surrounding the viewer. She often incorporates Victorian furniture, further challenging the ideas of watercolour as being a medium that, traditionally, is to be presented in a frame, on a wall. Her work is typified by fragmented narratives relating mysterious incidents and landscapes that are charged with an imagined threat. Solo shows include: Dans la poussière de cette planète, Galerie Arcturus, Paris, 2013; Lucaria, Theodore Art, New York, 2012; Life of Wood c/o BTAP, Seoul, 2009. She was the winner of the Jerwood Drawing Prize in 2005. http://www.losq.co.uk
Jemima uses sculpture, painting, drawing and time based media to create humanoid avatars occupying a zone between the animate and the inanimate. The work explores formal sculptural decision making, suggested narrative and social critique. She was the recipient of the 2010/11 Mark Tanner Sculpture Award, showing new work at Standpoint Gallery in London in September 2011. A Fulbright Scholar at the University of California Los Angeles in 1998 and a Cocheme Fellow at the University of the Arts, Byam Shaw School of Art in London in 2006, Jemima has recently been working on ‘Untitled Picture Profiles’. A selection from this series of watercolour works cataloguing the Facebook profiles of all her contacts will be shown at Paper in Manchester in April-June 2014. http://www.jemimabrown.com
Juliette's watercolour installations are immersive environments; the sheets of torn paper run down the wall, peel away and layer over each other, ultimately spilling out onto the floor and surrounding the viewer. She often incorporates Victorian furniture, further challenging the ideas of watercolour as being a medium that, traditionally, is to be presented in a frame, on a wall. Her work is typified by fragmented narratives relating mysterious incidents and landscapes that are charged with an imagined threat. Solo shows include: Dans la poussière de cette planète, Galerie Arcturus, Paris, 2013; Lucaria, Theodore Art, New York, 2012; Life of Wood c/o BTAP, Seoul, 2009. She was the winner of the Jerwood Drawing Prize in 2005. http://www.losq.co.uk
Image:The Ploutonion, 2012, Juliette Losq
Liz Elton
lizelton.com
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